Monday, 27 April 2015

April Workshop


The Sarracenias and Me at the SBA exhibition. Thanks to Shevaun  for the photo.

Had a great workshop on Sunday at Denmark Farm Conservation Centre. There weren't many of us but the students that attended had been to previous workshops and I noticed a great improvement in the work. We studied spring flowers; bluebells, violets, tulips and quails eggs and practised wet in wet and dry brush techniques. I remembered to take photos this time around and a few of Denmark Farm too. It's a beautiful place and there's plenty going on there including accommodation and camping, a 40 acre nature trail and also venue hire. They have a range of courses like conservation training, species ID and all sorts of natural crafts. I went on a moth day course there a few years ago and thoroughly enjoyed it.

Great workshop venue

Tutor selfie!!

Tulips are good to study for wet into wet and sweeping dry brush techniques

Really great work from the students
Perfect sheen


Denmark Farm in the April sunshine

Beautiful place 


Some of the accommodation with an amazing sedum roof
The next workshop will be held on Sunday the 19th of July and we will study the forms and textures of fruit.

Thursday, 23 April 2015

SBA Exhibition

The SBA (Society of Botanical Artists) exhibition was as good as ever, and I thought that the paintings were laid out even better than previous years. It is still on at the moment in Westminster central hall and finishes on Sunday.
This year I was stewarding and also doing a demonstration there. I also sold a painting of the Sarracenias so I am pleased.

My great friend Sarah of The Natural Year took some video of me demoing to post here, so my thanks to Sarah for this. It was my first time demonstrating there and hopefully I didn't shake too much!!



I have a workshop on Sunday too at Denmark Farm so I shall be working on a similar theme of spring flowers. 
Happy painting everyone.

Monday, 6 April 2015

The Birch Tree

The birch is a stunning tree, one of my favourites and really good to paint or draw. The older trees are cracked and gnarled with bright green moss cascading from the bumps.The bracket mushroom that I made the paper from lives upon the birch tree too and while I was out hunting them I found a beautiful tree as a subject to paint. It made for some great photos looking up towards the sky




The first painting drawn with pen
I worked very quickly on the above painting using pen and watercolour. But I didn't like the shape of the trunk, it didn't have the sinuous-ness that I liked in the tree. So I decided to do it again, just in watercolours this time. I used masking fluid to mask out the edge of the trunk so I could work on a quick wet into wet background. I use the Masquepen type pictured below and quite like it. Also I used some of the Daniel Smith Primatek paints which I love for unstrict botanical work like this or landscapes.

You can see my horse chestnut buds emerging (still working on them too!)
Here are the 2 together
This second painting below took 5 days, much longer then the first one. I used a touch of gouache to get back the highlights on the moss which was especially difficult and I think this subject would be great for oils, maybe.
I think I'll be keeping a look out for more interesting trees and maybe invest in some oil paints as I've never used them. That would be a new challenge.


Here's a little woodland sculpture we made in the woods today! 
Happy holidays.



Tuesday, 24 March 2015

Four Years On

Happy 4th Birthday to this blog, time has flown by.

I'm looking forward to exhibiting at the SBA in Westminster next month (I have 3 paintings there) and I'll also be doing a demonstration on Friday the 17th, so come along and say hello if you're nearby.

As I haven't posted for a while here's an few things I've been up to recently.


Here's the drawing I completed on the fungi paper. It took pen better than I thought it would but not paint so well as you see.
A Buzzard feather

I made a mossy box (It's for a craft fair that's coming up)

A fruit segments worksheet 

Painting a  lichen sprig
I have a workshop coming up in April at Denmark Farm, there should be plenty of subjects to occupy us, spring is coming at last!

Friday, 16 January 2015

Making Paper with a difference!

The new year has well and truly begun and with some new ideas and techniques.
I had for a long time wanted to make some paper at home and I have a mould and deckle kit, long unused. But I decided to make some paper with a difference, mushroom paper. I know that one of the best fungi for this is the birch polypore, Piptoporus betulinus. It's the perfect time of year for finding this mushroom on birch trees so I kept a look out and I found quite a few.

Growing on birch trees

An older specimen

A young ,fresh polypore

   I only needed one fairly young specimen so I carefully cut it from the tree. Then at home the mushroom was peeled and then cut up and blended in a blender into a gloopy pulp with some water. Then it was sloshed into a tray and ready for me to dip the deckle and mould into it.

Draining the water out from the deckle

This job was becoming messier (and smellier) by the minute and I think its best done outside or in a shed, not my kitchen! But I got my first layer draining and then tried to drop it out onto some jay-cloths and towels. This was the hardest bit as it wouldn't come away from the mesh easily. But after some fiddling and stressing it came out and was patted with a sponge to soak up the excess water. Next it was compressed with a slate, sponged a bit more and then left to dry flat. I managed to make 3 pieces of paper and on the last one I added some corn flour just as an experiment as to whether it can be drawn on. I don't hold out much hope of it taking inks or paints well but it was an interesting technique to try out. I very much like the texture of this paper and I will post again the results of any painting on it.

The 3 sheets dried
Close up of the texture and whiteness

In the summer when I can get outside and be messy, I will make my own recycled paper, with additions like wild flowers or saffron. 

Wednesday, 10 December 2014

Nearly Christmas again.

Christmas is drawing ever closer again and I seriously feel like hibernating at this time of year, to wake up rejuvenated in spring,( and 5 years younger would be great!!). 
The SBA Palmengarten exhibition in Frankfurt ,Germany was a great success and is now finished so I have been on a road trip to Sussex to collect some unsold paintings. I sold my painting of the Dandelion Clock too, great news for me and my bank manager!
 So I've not been painting much lately, just experimenting with handmade papers. I really like the look of natural objects against a patterned background, like the effect with the coffee staining. Recently I have painted a Scarlet Tiger moth on natural handmade paper, I love this sort of vintage,old look.



I decided to make some cards too and out of interest they are for sale on my website now.

Thanks for looking in on this blog and have a great Christmas and new year.

Saturday, 22 November 2014

Variety is good

 At the moment I'm enjoying a variety of media and styles;
Here's a selection; 
A small study of conkers in watercolour,


Some pen and ink; an alium seed-head study on coffee stained paper


Gouache; I've painted a trio of Sarracenia spp. twice life size.
These are amazing insectivorous bog plants with stunning veins and intricate patterns covered in tiny hairs, lovely to paint.


And finally some loose landscapes in watercolour. 
Here I used my imagination to create a mountain scene, using big brushes, sponge and very wet paper to achieve the misty effects.


Below are the brushes I used and I also do a prep. sketch in this little cold press paper notebook. Ripped up sponges are good too for those trees.


I also found a tip from Jane Blundell's blog, a great read for anyone interested in colour.
 One of my favourite grey mixes is winsor newton's light red and french ultramarine and so I have squeezed the two together in an empty paint pan and thoroughly mixed with a toothpick and now I have an instant grey mix to hand, great for sketches. I use this in some botanical work but also landscapes,(the clouds in the mountain landscape above uses this grey). Fantastic.Variety is the spice.