Monday, 21 July 2014

Elan Valley Exhibition

Time has come round so quickly and my exhibition at Elan Valley, Powys is here again. 
I have 42 paintings hanging in total now and I have sold one today so I'm pleased. No surprises that it was a gouache piece that was sold,they are always the most popular. The weather is lovely and quite humid, but I sat and drew foxgloves, wood sage and bell flowers as it was quiet. I've decided to paint my Year in the Welsh oak woods painting again as I really miss having this as a centerpiece since it was sold at the SBA show in London. I did not get it scanned or anything so I have no choice but to do it again!
Here's a few pictures of the exhibition.

Below is a view of my drive to the exhibition, over the mountain road with stunning scenery.

And below are some views of the amazing Victorian architecture of the dams at Elan.

If you find yourself in Wales anytime from now until the 1st of August, why not come and visit. 

Monday, 23 June 2014

The Meadow

 Now that summer is here and the weather is very nice in Wales (at the moment), it's time to seek orchids to paint. I ventured out to the Plantlife meadow 'Cae Blaen Dyffryn' near Lampeter, check it out here.
I drive for 1 hour, walk along a busy main road and endure bites from angry horse flies, to be in this little 9 acre piece of heaven which lies amidst a mono culture of bland farmland. Just to sit there, listening to the grasshoppers and skylarks or chase beautiful moths and butterflies is absolute bliss for me. But also to study the plants growing there; this year heralds a great year with many more heath spotted orchids than I remember, and also many butterfly orchids. I also saw more species of moth there, including Mother Shipton and Scarlet Tiger, both of which I've not seen there before.

Heath spotted Orchids
Scarlet Tiger
Lesser Butterfly Orchid
Below is a sketchbook page I've done from this meadow and also from Ynyslas dune slacks, with mainly orchids.

red marsh orchid,lesser butterfly,heath spotted,yellow rattle

Below are two sketchbook pages from Tregaron bog done recently.

Dragonfly, bogbean, horsetail,deer grass, red damselfly 

Ragged Robin,Marsh Cinquefoil, cross leaved heath
Below are my latest pages from the Nature Sketchbook Exchange.

How does the Meadow flower its bloom unfold? Because the lovely little flower is free down to its root, and in that freedom bold.
William Wordsworth

Friday, 16 May 2014

In the Bog

It's been a whirlwind of a week at the SBA exhibition in London, where I met up with some amazing friends and fellow artists and I got a huge surprise and honour for one of my paintings. The SBA put on an amazing show and so much hard work goes into it. I wish I could visit again and see the demos that artists are putting on.

Back at home the weather is beautiful and I've had many trips to the bog, Tregaron bog that is or Cors Caron. You can read up about it here.

It's a peaceful place humming with dragonflies and I spotted the green hair streak butterfly here for the first 
time. A beautiful iridescent flash of green flitting around the bilberries and bramble at the edge of the bog.

A large red damselfly landed on my arm, its thorax glowing copper and gold in the sunlight.

Delicate cotton grass sways in the breeze and the chattering of warblers is everywhere.

One of my favourite flowers here is the bogbean, Menyanthes trifoliata 
It has gorgeous frilly white flowers, tinged with pink.

The most common dragonfly I saw is the four spotted chaser.

I have abandoned my other nature reserve study for the moment as I seem to have been captivated by the bog. I will show some sketches from here in my next post but here is an old painting from a bog in Elan valley with a dam drawn in graphite in the background.

Monday, 14 April 2014

Horse Chestnut Mad!

Spring has begun here in Wales, the hedgerows and woodlands are bursting with fresh green leaves and delicate blossoms. As the days get warmer and the nights get shorter, I am still painting/drawing/obsessed with Horse Chestnuts! My family are fed up of me talking about them!!
My bud-burst painting is complete, such vivid colours in the bud when they flush crimson and release their sticky residues. 

Below is a full sketchbook study including the flowers, not out fully yet but it won't be long. The little white furry flowers have lemon yellow blotches inside which turns to crimson when they age or get pollinated.
You can see an old leaf scar drawn in which looks like a horse shoe complete with the nails; these were the vascular bundles of the stem that took water up towards the leaves. This could be another reason for their common name of horse chestnut.

Below another painting of the unfurling buds is being tackled; they are just so beautiful. Also they have such an array of interesting textures for the painter, from the furry, spider webby leaves to the stickiness of the leaf scales. Here I have used gum arabic mixed in with the paint, just a little. This retards the drying time of the paint and also gives a sticky, shiny look, hopefully anyway.

I have been out looking for local trees, below you can see the interesting, flaky textures of the bark.

 Below is a lovely tree in a local woodland; they are not so common to find in woodlands in Wales as they are more of a parkland species, so it is lovely to come across one. Their large leaves add a diversity to the canopy and their large flowers are almost exotic.

Well this post is my 100th post, I can't quite believe it. So thank you to all my followers and fellow artists, I'm not sure I'll make a 100 more!

Saturday, 29 March 2014

New Obsessions

Spring begins with a new obsession for horse chestnuts. I've gathered a few shoots from a local tree and each day as they've unfurled I've been sketching them eagerly. The sticky buds and leaf scales glisten as they capture the light and the fresh leaves are covered with a furry down, like a web. This is to prevent water loss and soon disappears as they open out more. They are fascinating to study and draw. The top leaf scales are a lovely carmine colour and further down they become golden, perfect for transparent quinacridones.

The horse chestnut Aesculus hippocastanum, is a native of the Greek/Albanian border region which was introduced into Western Europe in 1576 and to Britain in 1633. Its name comes from when Europeans found the Turks feeding conkers to sick horses in Constantinople in the 16th century. Today it is used in alternative and veterinary medicines.
Below is an interesting link about this tree:

The painter's obsession with his subject is all that he needs to drive him to work. - Lucian Freud

Grey willow, Salix cinerea is another wonder to draw, and quite difficult to capture that soft furriness; gouache paint can help here for this. This is for another habitat study, this time of a nature reserve very near my house called Grogwynion. It is a shingle heathland by the river Ystwyth which is an SAC - a special area of conservation. This is due to it being classed as a Calaminarian grassland as it has a high concentration of heavy metals from past mining activities. Because of this there are not many plant species so I should be able to fit every species I find on the one page! Hopefully anyway.

I've also been busy making some cards with Lunaria seedpods and handmade paper. 

I submitted four paintings to the SBA and am delighted that they will all be hung at Westminster Central Hall in May. It's going to be a great show and shouldn't be missed by any botanical art lover

Monday, 10 March 2014

Three Years On

March brings a high pressure to the UK with much needed dry weather at last. The bees and butterflies are out in force, energised by sunshine. Spring flowers nod yellow and purple in the breeze and birds call to their mates. I have been busy too making a wildflower bed in my garden, ready for seeds of cornflower, poppy and foxglove plants.

It's also been three years since I started this blog, time flies and I really hope people still read it and like my work.

I have finished a painting of a skeletal holly leaf, twice life size to show up the detail of the intricate veins and patches of decay.

The colours used are cool cerulean in the highlights, 
transparent burnt sienna, quinacridone deep gold (Dan Smiths), raw umber for the warm colours,
Buff titanium (Dan Smiths), 
French ultramarine & light red for the grey shading,
French ultramarine & burnt umber for the darker sepia colour.
All paints are by Winsor Newton unless I have indicated otherwise.
I used wet into wet technique with some dry brush work on top for the detail. Also my magnifying glass was indispensable to get close up. Definitely a subject you can get carried away with and lose time.
I have plenty more skeleton leaves to paint, each time I go for a walk I find more to do!

I have also completed month two of the nature sketchbook exchange, 
a collection of seaside findings from Ynyslas and Tan y Bwlch beaches for Doreen.

It is turning out to be a very interesting and enjoyable challenge with some wonderful nature inspired artwork to be seen. There is a link in the side panel for the blog.

The SBA submission of paintings for the May exhibition in London is now less than a week away and I am still waiting for two frames. It's cutting it a bit fine to say the least.

This gouache parrot tulip will go to London along with a couple of other gouaches and the oak woods painting and hopefully they'll be accepted. Fingers crossed.

Next I will paint something spring like, Crocus vernus will do nicely.

Wednesday, 12 February 2014

Dreams of Spring

The question on everyone's lips in the UK is when will the rain cease? That incessant dripping on the windows and the wind howling down the chimney. The misery of flooding and dreary, grey days of pervading damp is enough to bring on SAD syndrome in anyone. The culprit is the jet stream which seems to be locked high above us and continually dragging in these big storms. I just hope it moves back to its usual place soon and maybe we will have a decent summer this year, (or at least we can all dry out a bit). My heart goes out to all the people affected by these monster floods, lets hope it stops soon.

And so with dreams of spring, I have begun a gouache piece of white Prunus blossom. I have painted some of this before so am relying on my old work and photos. The key here is to capture other colours within the shadows of the white petals; blue, pink, purple and yellow pastel greys.

I may add a sky at the end or maybe a bee? Not sure yet.
I experimented with my sycamore painting in gouache as I absolutely hated the blue background with the colours. I took my underused Pan Pastels and laid on a sky to detract from the blue and I do prefer it now.

I'm also working on a series of  'mosaic' style paintings, with fragmented nature subjects. It adds an element of abstraction to the piece and makes it more interesting, or just something a bit different.

And finally, a poem,


From the sad eaves the drip-drop of the rain!
The water washing at the lachel door;
A slow step plashing by upon the moor!
A single bleat far from the famished fold.
The clicking of an embered hearth and cold;
The rainy Robin tic-tac at the pane.

A sadness ever sings
Of unforgotten things,
And the bird of love is patting at the pane;
But the wintry water deepens at the door
And a step is plashing by upon the moor
Into the dark upon the darkening moor,
And alas, alas, the drip-drop of the rain!

Sydney Dobell

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